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Fela Kuti Fela is a man of contradictions. That's what makes him so intriguing. People who love him will accept his flaws. His songs typically last longer than 20 minutes and are performed in dense, almost unintelligible Pidgin English. His music is influenced primarily by Christian hymns and classical music. He also incorporates jazz, Yoruba, and highlife with guitars and horns. He was a musician Fela Kuti embodied that music can be a powerful tool to transform the world. He made use of his music to push for social and political changes and his influence is still evident in the world of in the present. Afrobeat is a form of music that blends African and Western influences. Its roots are in West-African music as well as funk. However it has evolved into a brand new genre. His political activism was fierce, and he acted without fear. He used his music as a protest against government corruption and human right abuses. Songs like “Zombie”, “Coffin for the State Head” and others were blatant criticisms of Nigeria's dictatorship. He also made his home, Kalakuta Republic, as a hub for political activism as well as a gathering place for people who were like-minded. The play features a large portrait of his mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and pioneer of the feminist movement. She is portrayed by actress Shantel Cribbs, who successfully communicated her importance in the life of Fela. The play also explores her political activism. Despite her declining health, she refused to undergo tests for AIDS. Instead she opted for traditional treatment. He was a musician The Fela Ransome Kuti was a complex man who employed his music to effect political change. He is credited as the creator of afrobeat, an invigorating blend of funk, dirty and traditional African rhythms. He was a vocal critic of Nigeria's religious and governmental leaders. His mother was a suffragist against colonialism, so it is not surprising that he has a passion for political commentaries and social commentary. His parents wanted him to be an ophthalmologist but he had different plans. While he started in a more apolitical highlife fashion, a trip in America would change his outlook forever. The exposure to Black power movements and the leaders such as Malcolm X and Eldridge Cleaver would have a profound influence on his music. He embraced an African-centric philosophy which would inform and guide his later work. He was a writer Fela was introduced to Black Power activists such as Stokely Carmichael, and Malcolm X while in the United States. The experience inspired him to start a political movement called the Movement of the People, and to compose songs that reflected his ideas on black and political consciousness. His ideas were expressed through the way of yabis, which is a form of public speaking was referred to as 'freedom of expression'. He also began to impose an ethical code on his band. This included refusing to accept prescriptions from Western-trained doctors. Fela returned to Nigeria and began building his own club in Ikeja. The police and military officials were constant. His Mosholashi-Idi Oro hangers repopulated the area surrounding the club with hard drug particularly “bana” and “yamuna” (heroin). Fela maintained his integrity despite this. His music is a testament to the determination with which he fought authority and demanded that the desires of the masses be reflected in official objectives. It is a remarkable legacy that will endure for generations to be. He was a poet Fela's music used sarcasm and humor to draw attention to the political and economic issues in Nigeria. He also ridiculed his audience as well as the government and himself. He often referred to himself during these shows as “the big dick in the little pond.” The authorities took his jokes lightly, and he was repeatedly arrested and detained, as well as beaten by the authorities. He eventually renamed himself Anikulapo which translates to “he is carrying death in his pocket.” In 1977, Fela recorded a song called “Zombie,” which compared soldiers to mindless zombies that obeyed orders without hesitation. This offended the military who seized the Kalakuta Republic, burning it down and beating its occupants. During the raid, Fela's mother was thrown from her second-floor apartment through a window. In the decades after Nigeria's independence, Fela created Afrobeat, a genre of music that blended jazz with native African rhythm. His songs criticized European culture imperialism and supported African traditional beliefs and cultures. He also criticized fellow Africans who violated their nation's traditions. He emphasized the importance of human rights and freedom. He was an artist of hip-hop. A trumpeter, saxophonist, composer and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He grew up with jazz music, rock and roll and traditional African music and chants which helped form his unique style of music. After a visit to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas were influential in his work. When he returned to Nigeria, Fela began using his music as a tool for political purposes. He criticized the government in his home country and argued that African culture should not be submerged by Western sensibilities. He also wrote about human rights violations and social injustices. right abuses. He was arrested repeatedly for his criticism of the military. Fela also advocated for the use of marijuana, also known as “igbo” in Africa. He held “yabis” (public discussions) at Afrika Shrine where he would mock government officials and express his views on the freedom of expression as well as the beauty of women's body. Fela also had a harem of women in his youth, who performed at his shows and also served as vocal backups to his vocalists. He was a dancer Fela was a master of musical fusion. He incorporated elements of beat music, and highlife to create his own unique style. He was a prominent African musician and a vocal critic of colonial rule. Fela refused to leave, despite being interrogated and detained by the Nigerian military junta as being a witness to the murder of his mother. fela law firm died in 1997 from AIDS-related complications. Fela was a prominent political activist who was critical of the oppressive Nigerian Government and endorsed the principles Pan Africanism. His albums, including 1973's Gentleman, focused on fighting oppression from both colonial and government parties. He also promoted black power and decried Christianity and Islam as non-African influenced religions that were used to divide the people of Africa. The title track from the album from 1978, Shuffering and Shmiling, describes the overcrowded public buses full of poor people “shuffering and smiling.” Fela was a staunch opponent of religious hypocrisy. His dancers were an excellent match for his music. They were vibrant, sensual and elegant. Their contributions to the performances were as important as the words Fela used. He was a political militant Fela Kuti was a militant who used music to challenge oppressive authority. He transformed his knowledge of American jazz and funk to African styles and rhythms making an ear that was ready for fight. The majority of his songs begin as slow instrumentals, gradually layering little riffs and long-lined melodies until they explode in a flash of vigor. In contrast to many artists who were afraid to expose their political beliefs, Fela was fearless and unbending. He stood up for his beliefs even when it was risky to do so. His mother, Funmilayo Ransome-Kuti was a fervent feminist who was the leader of the Nigerian Women's Movement. His father was a protestant minister and the teacher's union president. He also founded Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government raided the Kalakuta Republic, destroying property and severely injured Fela. He refused to give up however, and continued to protest against the government. He died from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to carry on his music and political legacy. He was a father Music is often viewed by many as a political action. Musicians use lyrics to call for a change. But some of the most effective musical protests don't use words in any way. Fela Kuti was one of them, and his music continues to ring out today. He was the first to pioneer Afrobeat music, which blends traditional African rhythms and harmony with jazz and hip-hop that was being influenced by artists like James Brown. Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and fought colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in a Nigeria that served its entire population. Fela's son Seun is continuing his father's legacy through a band called Egypt 80 that's touring the world this year. The music of Egypt 80 combines the sound of Fela and a scathing critique of the power structures that exist today. The album, Black Times, will be released in March. Thousands of fans paid their respects at the funeral at Tafawa Balewa square. The crowd was so big that police had to block the entrance.